She grew up in chaos — a childhood marked by instability, pressure, and a level of scrutiny no child should ever endure. Yet, she rose to become one of the biggest stars Hollywood had ever produced.
Sadly, the little girl was pushed into the spotlight while being controlled, criticized, overworked, and fed pills just to keep going.
Behind the sparkling costumes and magical roles was a child battling exhaustion, insecurity, and a system that cared more about profit than protection.
Born in Minnesota
Understanding this icon’s early years doesn’t just explain the brilliance that later captivated the world; it exposes the dark machinery of old Hollywood, the pressures that shaped her adulthood, and the wounds that never fully healed.
Her story became a warning for generations of child performers to come, and a reminder that even the brightest legends often rise from places of deep pain.
From a very young age, this girl who would one day follow the Yellow Brick Road was already performing. Born in Minnesota, she made her stage debut before she was even three.
Her home life, however, was anything but magical. Her mother had reportedly wanted to end the pregnancy but was unable to, and the family was shaken by ongoing rumors about the father’s secret relationships with teenage boys and young men.
In June 1926, the family quietly relocated to Lancaster, California, after whispers about her father’s personal life began to spread.
Her parents, who worked as vaudeville entertainers, had a marriage that was a constant cycle of breaking apart and coming back together, something she remembered vividly.
”It was very hard for me to understand those things and, of course, I remember clearly the fear I had of those separations,” she said.
Her mother was very jealous
As a small child, she was brought into nightclubs to perform at venues wildly inappropriate for someone her age.
Her biographers later wrote that her mother regularly gave her pills to stay awake, and others to help her sleep. It was a routine that would haunt her for the rest of her life.
As she later revealed in 1963, “The only time I felt wanted when I was a kid was when I was on stage, performing.”
Speaking with Barbara Walters in 1967, the star said her mother was a “mean” stage mother.
“She was very jealous because she had absolutely no talent,” she said. “She would stand in the wings, and if I didn’t feel good, she’d say, ‘You get out and sing, or I’ll wrap you around the bedpost and break you off short!’ So I’d go out and sing.”
In later years, she would often claim that her mother never her, that she had planned an abortion until a medical student friend convinced her parents otherwise, and even tried to induce a miscarriage.
“She must have rolled down nineteen thousand flights of stairs and jumped off tables,” she would say.
Her mother would also take delight in recounting her schemes and strategies to the neighborhood ladies.
Breakthrough
In 1935, the juvenile signed with MGM. Two years later, she finally appeared on screen when she performed “You Made Me Love You (I Didn’t Want to Do It)” in Broadway Melody. It was the breakthrough she desperately needed. As writer John Fricke explained:
“One movie would be wrapping up and she’d been in rehearsals for the next one. This overlapping went on from the late ‘30s into the early ‘40s.”
But even as her career took off, the studio fed her insecurities. Louis B. Mayer allegedly called her “my little hunchback,” and she was put on a harsh regimen of cottage cheese, chicken broth, and amphetamine-laced diet pills to keep her weight down.
Producers worried audiences wouldn’t believe such a small 13-year-old girl could sing the way she did. Still, she kept working. When MGM loaned her out to Fox for Pigskin Parade, her performance was so strong that her home studio finally began giving her real roles.
Her father died of spinal meningitis
The rising star had barely left the stage following a broadcast when tragedy struck — her father died of spinal meningitis. Heartbroken, she kept going.
Film followed film. She rehearsed for Thoroughbreds Don’t Cry even before her previous project wrapped, then moved straight into Everybody Sing. Tours, radio spots, promotions — the whirlwind never stopped. MGM quickly realized she paired perfectly with a young actor named Mickey Rooney, and together they made a long string of hits.
With the exhausting schedule came something darker: the pills she relied on to stay awake, to sleep, to keep her weight down — a cycle that slowly became an addiction.
Then came 1939: the role that changed everything.
Darwin Porter and Danforth Prince later noted:
“‘The Wizard of Oz’ marked a turning point in her career. It was the beginning of her later legend as she danced along the Yellow Brick Road in ruby slippers, which, decades later, would fetch big bucks at an auction.”
Only after that unforgettable performance did the world finally know her name.
Judy Garland.
“I’m the queen of the comeback”
The Wizard of Oz” was hailed by critics, yet its enormous production and marketing expenses — roughly $4 million at the time, equal to about $71 million today — made it a risky venture for the studio. The film helped make Garland one of the most bankable actresses in the United States.
She continued with work in films such as Meet Me in St Louis in 1944 and Easter Parade in 1946.
In 1954, the world saw Judy Garland take on what would become her final truly legendary role: Esther Blodgett (Vicki Lester) in A Star Is Born. Though she played the bright young talent on screen, her real life resembled that of Vicki’s love interest, Norman Maine (James Mason), a former A-list star struggling to hold onto his career. At just 32, Garland had already spent the majority of her life performing, her career rising and crashing in tandem with her fragile physical and emotional health — a pattern that would tragically continue until her passing 15 years later.
“I’m the queen of the comeback,” she said in a 1968 interview. “I’m getting tired of coming back. I really am. I can’t even go to… the powder room without making a comeback.”
On June 22, 1969, Garland’s new husband, Mickey Deans, broke down the locked bathroom door in their London apartment and found her dead at just 47 years old. An autopsy later confirmed that she had died from a self-administered accidental overdose of barbiturates, a commonly used sleep aid at the time.
Coroner Gavin Thurston told the press after the autopsy,
“This is quite clearly an accidental circumstance to a person who was accustomed to taking barbiturates over a very long time. She took more barbiturates than she could tolerate.”
Though heartbreaking, her death was not entirely unexpected. Those close to her — and even the public — were well aware of her long-standing struggles with addiction.
Garland had battled depression and alcoholism for years and had reportedly attempted suicide multiple times. Her third husband, Sid Luft, claimed she tried to take her own life on at least 20 separate occasions.
Ultimately, the story of her life unfolded more like a tragedy than the hopeful, carefree young woman she often portrayed on screen. Despite her incredible success on stage and screen, Garland struggled with low self-esteem. She was constantly dieting, a practice critics and historians believe stemmed from executives repeatedly telling her she was an “ugly duckling.”
At one point, Stevie Phillips, who represented Garland as her agent for four years, described her as “a demented, demanding, supremely talented drug-addict.”
Yet biographer Royce emphasized that Garland displayed “astonishing strength and courage,” even in the toughest times. English actor Dirk Bogarde once called her “the funniest woman I have ever met.”
Despite her personal battles, Garland rejected the public perception of her as a tragic figure. Her younger daughter Lorna echoed this sentiment:
“We all have tragedies in our lives, but that does not make us tragic. She was funny and she was warm and she was wonderfully gifted. She had great highs and great moments in her career. She also had great moments in her personal life. Yes, we lost her at 47 years old. That was tragic. But she was not a tragic figure.”
I’ve always loved The Wizard of Oz and Judy Garland as Dorothy — her singing voice was incredible. She went through so much in her life, and my heart goes out to her. May she rest in the sweetest peace, far beyond the rainbow 🌈🕊
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